Oh, how I wish that were true, because although $350,000 is nothing in the film industry, I'll take it, and I'm sure that the makers of this film would too, seeing as how this film fell just over $3 million short of its budget, which is a shame, because this is a decent film, though not quite genuinely good, as it also falls quite a bit short of its potential, and for quite a few reasons. Really, I'm surprised he could afford to do any Cronenbergian experiments, because I could fiddle through my wallet and pull out more money than the amount that went into "Cube". Oh wait, this isn't Cronenberg, it's just some other weird Canadian who wishes that he was Cronenberg, which I suppose is just fine, seeing as how this Vincenzo Natali guy can probably actually back up those ambitions of being Cronenbergian, especially now that he has a bigger budget to do more Cronenbergian "experiments". Nobody", but because, with Merle from "eXistenZ", this film has an even bigger nostalgia slant that makes it an even more satisfying return to the body-horror genre for David Cronenberg. Well, I suppose I'm ultimately glad that she's here, not just because I'm happy to see that she actually got paid for something in 2009, seeing as how this film's central experiment has an immensely better chance of going on without a hitch than anyone seeing "Mr. He's also in Cube, another cult sci-fi movie by the same director as Splice.Korey Coleman said it best: "You see, this is what happens when hipsters play God." Seriously, I don't know which experiment is stranger: the genetic engineering experiment this film is about or Adrien Brody's experimenting with that haircut? Seriously though, I suppose I can buy Brody as a hipster scientist, because he just had to have done some kind of genetic modification on himself to get that nose, though Sarah Polley on the other hand, I don't know if I so much have a hard time buying her as a scientist as much as I have a hard time buying that she would want to try something like this, because, I don't know about y'all, but after I faced an army of feral zombies like the one's in Zack Snyder's "Dawn of the Dead", I think that I would be turned off to the idea of doing a dangerous human-animal gene splicing experiment. He's in every episode of Stargate Atlantis and the majority of Traders, and also plays the lead role in the Graveyard Rats episode of Guillermo del Toro's anthology Cabinet of Curiosities. However it's his TV roles that many know Hewlett from. You might recognize Hewlett from several other similar sci-fi or fantasy projects, with him having roles in The Shape of Water, Nightmare Alley, Rise of the Planet of the Apes, Scanners II and Pin. Barlow unequivocally forbids his employees from tinkering with human and animal DNA, as he's content making money from their other projects - until he smells profit on this new project. The boss of Clive and Elsa is William Barlow. You may have also seen her in Transporter: The Series, For the Love of Money and Verso. This creature quickly gains traits not just from its animal but from its human DNA donor.ĭelphine Chanéac is a French actress who largely worked in French TV shows and movies until Splice, though she had a small role in The Pink Panther. The 'monster' that Clive and Elsa create gets named Dren - named after the company the duo works for, backward. (Image credit: Dark Castle Entertainment)
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